94 min. Arabic.
When cockroaches dream, they dream of dying a natural death – instead of being squashed by human hand. This prologue forms a leitmotif that runs through the entire third part of Hicham Lasri’s “Trilogy of the Dog”. The film’s frequently hyper-realistic sequences describe the current state of the violent emotional dynamics governing contemporary Morocco: those between men and women, parents and children, the powerful and the disenfranchised. Moments of human humiliation link together the fates of six characters, located in a luxury country estate, an urban environment, and a quarry, respectively: the rape of a young woman; a suicidal man caught up in medieval fantasies; an unmarried daughter’s pregnancy, her blind father only concerned about the racial purity of his family; a bigoted judge; a little boy desperately demanding mutton for a sacrificial feast banned by the king; and the shoe that hit George W. Bush on the head in Iraq.
Lasri’s images carry the dynamics and power of a nightmare at once concrete and symbolic, straightforward and enigmatic, topical and timeless. (Dorothee Wenner)
Hicham Lasri was born in Casablanca, Morocco in 1977. He studied law at the Université Hassan II in Casablanca before making a name for himself as a playwright, novelist and screenwriter. In 2011, he made his debut feature, The End, about the last days of Morocco’s King Hassan II.