Jump directly to the page contents

“Meet me at the bottom of the pool” (in homage to Jack Smith’s “Wait for me at the bottom of the pool”) is the title of a list of film prints on Super-8, 16 and 35 mm from the Arsenal archive which supplements and forms a commentary to various titles of this year’s programme. During the Berlinale, they can be watched at the editing tables of our new screening rooms at silent green Kulturquartier from 10am to 6pm. The Arsenal archive contains around 10,000 films which offer a broad cross-section of artistic and political filmmaking worldwide, including numerous titles from the early years of the Forum.

The Arsenal film archive is located at the silent green Kulturquartier, Gerichtstraße 35, 13347. Please register in advance +49-30-46604503.

 

AKHER AYAM EL MADINA (IN THE LAST DAYS OF THE CITY) – Tamer El Said
OTTO E MEZZO (8 1/2) – Federico Fellini (Italy 1962, 137 min., 35mm)
LE MÉPRIS  – Jean-Luc Godard (France 1963, 103 min., 35mm)
YOM HULEDET SAME'ACH, MAR MOGRABI (HAPPY BIRTHDAY, MR. MOGRABI) – Avi Mograbi (Israel 1999, 78 min.,16mm)

AL MARHALA AL RABIAA (THE FOURTH STAGE) – Ahmad Ghossein
VON DER REICHSKANZLEI BIS PARAGUAY – Riki Kalbe (Germany 1992, 7 min., 35mm)

AND-EK GHES... – Philip Scheffner and Colorado Velcu
DER TAG DES SPATZEN – Philip Scheffner (Germany 2010, 100 min., 35mm)
TÖCHTER ZWEIER WELTEN – Serap Berakarasu (Germany 1991, 62 min., 16mm)

BEIN GDEROT (BETWEEN FENCES) – Avi Mograbi
AUGUST, BEFORE THE ERUPTION – Avi Mograbi (Israel 2002, 72 min., 35mm)
YOM HULEDET SAME'ACH, MAR MOGRABI (HAPPY BIRTHDAY, MR. MOGRABI) – Avi Mograbi (Israel 1999, 78 min.,16mm)
LES MAINS LIBRES – Brigitte Sy (France 2010, 100 min., 35mm)

BRING ME THE HEAD OF TIM HORTON – Guy Maddin, Evan Johnson, Galen Johnson
BRAND UPON THE BRAIN! – Guy Maddin (USA 2006, 95 min., 35mm)
MY WINNIPEG – Guy Maddin (Canada 2007, 79 min., 35mm)

BUNKER DRAMA – Mike Crane
GHETTO – Thomas Imbach (Switzerland 1997, 121 min., 35mm)
IMMATRIKULATION – Lutz Mommartz, Jürgen Hillmer (West Germany 1968, 6 min., 16mm)

CHAMISSOS SCHATTEN – Ulrike Ottinger
CHINA. DIE KÜNSTE - DER ALLTAG – Ulrike Ottinger (West Germany 1985, 269 min., 16mm)
JOHANNA D'ARC OF MONGOLIA – Ulrike Ottinger (West Germany 1989, 167 min., 35mm)
TAIGA – Ulrike Ottinger (Germany 1991, 500 min., 16mm)
LES SOVIETS PLUS L'ÉLECTRICITÉ (SOVIETS PLUS ELECTRICITY) – Nicolas Rey (France 2001, 171 min., 16mm)
STRAITS OF MAGELLAN: DRAFTS AND FRAGMENTS (DIE MAGELLAN-MEERENGE: SKIZZEN & FRAGMENTE) – Hollis Frampton (USA 1974, 51 min., 16mm)

THE COMMUNIST REVOLUTION WAS CAUSED BY THE SUN – Anton Vidokle
LES SOVIETS PLUS L'ÉLECTRICITÉ (SOVIETS PLUS ELECTRICITY) – Nicolas Rey (France 2001, 171 min., 16mm)
SOLJARIS – Andrei Tarkovsky (USSR 1972, 166 in, 35mm)

CONTINUITY – Omer Fast
O.K. – Michael Verhoeven (West Germany 1970, 79 min, 35mm)

THE END – Guillaume Nicloux
LES ENFANTS VOLANTS – Guillaume Nicloux (France 1990, 85 min., 35mm)

DEADWEIGHT – Axel Koenzen
SLEEPY HAVEN – Matthias Müller (Germany 1993, 15 min., 16mm)
SAILBOAT – Joyce Wieland (Canada 1968, 3 min., 16mm)
BETÖRUNG DER BLAUEN MATROSEN – Ulrike Ottinger (West Germany 1975, 47 min., 16mm)

DUBINA DVA (DEPTH TWO) – Ognen Glavonic
MUEDA: MEMORIA E MASSACRE  – Ruy Guerra (Mozambique 1979, 75 min., 35mm)
VEILLÉES D'ARMES, HISTOIRES DU JOURNALISME EN TEMPS DU GUERRES – Marcel Ophüls (France 1994, 234 min., 35mm)
CAMP DE THIAROYE (DAS LAGER VON THIAROYE) – Ousmane Sembène, Thierno Faty Sow (Senegal 1987, 154 min., 35mm)

EL DORADO XXI – Salomé Lamas
MADEN (DAS BERGWERK) – Yavuz Özkan (Turkey 1978, 95 min., 16mm)
THE GOLD RUSH (GOLDRAUSCH) – Charles Chaplin (USA 1925, 82 min., 16mm)

ELIXIR – Daniil Zinchenko
ZVENIGORA – Alexander Dovzhenko (USSR 1927, 71 min., 35mm)
BABY RJASANSKIJE  – Olga Preobrashenskaja (USSR 1927, 66 min., 35mm)
KAMEN (STONE) – Alexander Sokurov (Russia 1992, 88 min., 35mm)
ELEGIJA IS ROSSII (ELEGY FROM RUSSIA) – Alexander Sokurov (Russia 1992, 68 min., 35mm)
DNI SATMENIJA (DAYS OF ECLIPSE) – Alexander Sokurov (USSR 1988, 137 min., 35mm)
RUSSKOJE STSCHASTJE  –  Juri Chaschtschewatskij (Belarus 1992, 53 min., 35mm)

ESIOD 2015 – Clemens von Wedemeyer
L'ANNÉE DERNIÈRE À MARIENBAD (LAST YEAR AT MARIENBAD) – Alain Resnais (France 1960, 94 min., 35mm)

FANTASTIC – Offer Egozy
DOOMED LOVE  – Andrew Horn (USA 1983, 73 min., 16mm)
THE WAY IT IS OR EURYDICE IN THE AVENUES - Eric Mitchell (USA 1984, 72 min., 16mm)
POISON – Todd Haynes (USA 1990, 85 min., 35mm)

FUGUE – Kerstin Schroedinger
FILM ABOUT A WOMAN WHO…  – Yvonne Rainer (USA 1974, 104 min., 16mm)
EADWEARD MUYBRIDGE, ZOOPRAXOGRAPHER  – Thom Andersen (USA 1975, 59 min., 16mm)

DIE GETRÄUMTEN – Ruth Beckermann
DE ITINERE HIEROSOLYMAE (NACH JERUSALEM) – Ruth Beckermann (Austria 1990, 87 min., 16mm)
DIE PAPIERNE BRÜCKE – Ruth Beckermann (Austria 1987, 96 min., 16mm)
WIEN RETOUR – Ruth Beckermann (Austria 1983, 93 min., 16mm)

"Hachimiri Madness" – Japanese Indies from the Punk Years
GYAKUFUNSHA KAZOKU  – Sogo Ishii (Japan 1984, 100 min., 35mm)
HEYA (THE ROOM) – Sion Sono (Japan 1993, 92 min., 35mm)
JITENSHA TOIKI  – Sion Sono (Japan 1989, 94 min., 16mm)
YAMI NO KANIWARU  – Masachi Yamamoto (Japan 1983, 112 min., 16mm)
SHIRO - THE WHITE – Hirano Katsuyuki (Japan 1999, 117 min., 35mm)
HIMITSU NO HANAZONO  – Shinobu Yaguchi (Japan 1996, 83 min., 35mm)

HAVARIE – Philip Scheffner
WAVELENGTH – Michael Snow (USA 1967, 45 min., 16mm)

HEE – Kaori Momoi
ICHIJIKU NO KAO (FACES OF A FIG TREE) – Kaori Momoi (Japan 2006, 93 min., 35mm)

THE ILLINOIS PARABLES – Deborah Stratman
THE MURDER OF FRED HAMPTON – Mike Gray (USA 1970, 89 min., 35mm)

IN THE FUTURE THEY ATE FROM THE FINEST PORCELAIN – Larissa Sansour, Søren Lind
FRIENDSHIP'S DEATH – Peter Wollen (United Kingdom 1988, 78 min., 16mm)

INVENTION – Mark Lewis
BERLIN. SINFONIE DER GROßSTADT – Walter Ruttmann (Germany 1927, 64 min., 35mm)
TSCHELOWEK S KINOAPPARATOM (THE MAN WITH THE MOVIE CAMERA) – Dziga Vertov (USSR 1929, 84 min., 16mm)

KAMA TOHALLEQ AL TEYOUR (AS BIRDS FLYING) – Heba Amin
C'MON BABE (DANKE SCHÖN) – Sharon Sandusky (USA 1988, 12 min., 16mm)

THE LAMPS - Shelly Silver
THE GOLD DIGGERS  – Sally Potter (United Kingdom 1983, 89 min., 35mm)

LE CORBUSIER [IIIII] ASGER JORN [RELIEF] – Heinz Emigholz
LE CORBUSIER AU MISTRAL – Milena Gierke (Germany 2005, 6 min., Super 8)
MAILLARTS BRÜCKEN – Heinz Emigholz (Germany 1995-1999, 24 min., 35mm)
SULLIVANS BANKEN – Heinz Emigholz (Germany 1993-1999, 38 min., 35mm)

LILIOM ÖSVÉNY (LILY LANE) – Bence Fliegauf
DEALER – Benedek Fliegauf (Hungary 2004, 163 min., 35mm)
RENGETEG – Benedek Fliegauf (Hungary 2003, 93 min., 35mm)

MANAZIL BELA ABWAB (HOUSES WITHOUT DOORS) – Avo Kaprealian
CALENDAR – Atom Egoyan (Armenia 1992, 73 min., 16mm)
LA MONTAÑA SAGRADA (THE HOLY MOUNTAIN) – Alexandro Jodorowsky (Mexico 1973, 118 min., 35mm)

MANNERLAATTA (TECTONIC PLATE) – Mika Taanila
MOTHLIGHT – Stan Brakhage (USA 1963, 3 min., 16mm)
ZEN FOR FILM – Nam June Paik (USA 1964, 8 min., 16mm)
ROHFILM – Wilhelm Hein, Birgit Hein (West Germany 1968, 22 min., 16mm)
WEIßFILM – Wilhelm Hein, Birgit Hein (West Germany 1977, 5 min., 16mm)

MAQUINARIA PANAMERICANA (PANAMERICAN MACHINERY) – Joaquín del Paso
LA COMÉDIE DU TRAVAIL  – Luc Moullet (France 1987, 88 min., 35mm)

MUITO ROMÂNTICO – Melissa Dullius, Gustavo Jahn
SLEEPY HAVEN – Matthias Müller (Germany 1993, 15 min., 16mm)
BETÖRUNG DER BLAUEN MATROSEN – Ulrike Ottinger (West Germany 1975, 47 min., 16mm)
AUF GEHT'S. ABER WOHIN? – Angelika Levi (West Germany 1989, 20 min., 16mm)
DAS KLEINE OBJEKT A – Angelika Levi (Germany 1992, 30 min., 16mm)

P.S. JERUSALEM – Danae Elon
SHIVREI TMUNOT JERUSHALAIM (FRAGMENTS * JERUSALEM) – Ron Havilio (Israel 1986-1997, 355 min., 16mm)

O PÁSSARO DA NOITE – Marie Losier
NORMAL LOVE – Jack Smith (USA 1963, 106 min., 16mm)
LUNCH BREAK ON THE XEROX MACHINE – Marie Losier (USA 2003, 3 min., 16mm)
ELECTROCUTE YOUR STARS – Marie Losier (USA 2004, 8 min., 16mm)

THE PINK DETACHMENT – Jen Liu
HUNG SIK LEUNG DJE CHING – Collective (Peoples’ Republic of China 1970, 106 min., 16mm)

POSTO AVANÇADO DO PROGRESSO (AN OUTPOST OF PROGRESS) – Hugo Vieira da Silva
CONGO RIVER, AU-DÉJÀ DES TÉNÈBRES (CONGO RIVER - BEYOND DARKNESS) – Thierry Michel (Belgium 2005, 121 min., 35mm)
APOCALYPSE NOW – Francis Ford Coppola (USA 1979, 149 min., 16mm)

THE RIGHT – Assaf Gruber
IN DIE ERDE GEBAUT – Ute Aurand (Germany 2008, 43 min., 16mm)

RIO CORGO – Maya Kosa, Sergio da Costa
AQUELE QUERIDO MÊS DE AGOSTO (OUR BELOVED MONTH OF AUGUST) – Miguel Gomes (Portugal 2008, 151 min., 35mm)

RUDOLF THOME - ÜBERALL BLUMEN (RUDOLF THOME - FLOWERS EVERYWHERE) – Serpil Turhan
DAS MIKROSKOP – Rudolf Thome (West Germany 1986, 97 min., 35mm)
FREMDE STADT – Rudolf Thome (West Germany 1972, 106 min., 35mm)
MADE IN GERMANY UND USA – Rudolf Thome (West Germany 1974, 143 min., 16mm)
SIEBEN FRAUEN – Rudolf Thome (West Germany 1989, 89 min., 35mm)
SYSTEM OHNE SCHATTEN – Rudolf Thome (West Germany 1983, 114 min., 35mm)

SHORT STAY – Ted Fendt
BEESWAX – Andrew Bujalski (USA 2009, 100 min., 35mm)

SIGN SPACE – Hila Peleg
IN DIE ERDE GEBAUT – Ute Aurand (Germany 2008, 43 min., 16mm)

STONES GODS PEOPLE – Joe Namy
DENKMALPFLEGE – Riki Kalbe (Germany 1993, 7 min., 35mm)
LES STATUES MEURENT AUSSI  – Alain Resnais, Chris Marker (France 1953, 30 min., 16mm)

TRANSMISSION FROM THE LIBERATED ZONES – Filipa César
ACTO DOS FEITOS DA GUINÉ  –  Fernando Matos Silva (Portugal 1980, 85 min., 16mm)

TRIVISA – Frank Hui, Vicky Wong, Jevons Au
DUOLUO TIANSHI (FALLEN ANGELS) – Wong Kar-Wai (Hong Kong 1995, 90 min., 35mm)
QU NIAN YAN HUA TE BIE DUO  – Fruit Chan (Hong Kong 1998, 129 min.,  35mm)
HITMAN – Stephen Tung Wai (Hong Kong 1998, 104 min., 35mm)

WADEE'AT TASALLUL (OFFSIDE) – Marwan Hamdan
FUSSBALL WIE NOCH NIE – Helmuth Costard (West Germany 1970, 99 min., 16mm)
SUBSTITUTE – Fred Poulet, Vikash Dhorasoo (France 2006, 73 min, 35mm)

WE DEMAND – Claudrena N. Harold, Kevin Jerome Everson
AN AMERICAN LOVE STORY  – Jennifer Fox (USA 1999, 500 min., 16mm)
PERFECT FILM – Ken Jacobs (USA 1986, 22 min., 16mm)

ZAKERAT ABAD EL SHAMS (A STROLL DOWN SUNFLOWER LANE) – Mayye Zayed
MEIN LEBEN TEIL 2  – Angelika Levi (Germany 2003, 85 min., 35mm)
DER FATER – Christine Noll Brinckmann (West Germany 1986, 26 min., 16mm)

LES OXYMORES DE LA RAISON – Kader Attia
ASYLUM – Peter Robinson (USA 1972, 95 min., 16mm)
SIGMUND FREUD'S DORA: A CASE OF MISTAKEN IDENTITY – Anthony McCall, Claire Pajaczkowska, Andrew Tyndall, Ivan Ward, Jane Weinstock (USA 1979, 35 min., 16mm)
EMPATHY – Amy Siegel (USA 2003, 96 min., 35mm)
COMMITTED – Sheila McLaughlin, Lynne Tillman (USA 1983, 76 min., 16mm)

TERRA NULLIUS OR: HOW TO BE A NATIONALIST – James T. Hong
PATRIOTISM 1 – Joyce Wieland (Canada 1965, 4 min., 16mm)
PATRIOTISM 2 – Joyce Wieland (Canada 1965, 4 min., 16mm)

REASON OVER PASSION/LA RAISON AVANT LA PASSION – Joyce Wieland
SAILBOAT – Joyce Wieland (Canada 1968, 3 min., 16mm)
1933 – Joyce Wieland (Canada 1967, 4 min., 16mm)
HANDTINTING – Joyce Wieland (Canada 1967, 6 min., 16mm)
PATRIOTISM 1 – Joyce Wieland (Canada 1965, 4 min., 16mm)
PATRIOTISM 2 – Joyce Wieland (Canada 1965, 4 min., 16mm)
RAT LIFE AND DIET IN NORTH AMERICA – Joyce Wieland (Canada 1968, 16min., 16mm)
WATER SARK – Joyce Wieland (Canada 1966, 13 min., 16mm)

XÉNOGÉNÈSE – Akihiko Morishita
THUNDER – Ito Takashi (Japan 1982, 5 min., 16mm)
SHOZO-SHU  – Hideki Kanbajashi (Japan 1982, 48 min., 16mm)
MOVIE WATCHING – Okujama Junichi (Japan 1982, 12 min., 16mm)
CONNECTION – Matsumoto Toshio (Japan 1981, 9 min., 16mm)
B – Nobuhiro Kawanaka (Japan 1982, 8 min., 16mm)

Funded by:

  • Logo Minister of State for Culture and the Media
  • Logo des Programms NeuStart Kultur