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The Zama Zama Project

Still from the film "The Zama Zama Project" by Rosalind Morris. People with headlamps sit on the dirt floor.
© Rosalind Morris
  • Director

    Rosalind Morris

  • USA, South Africa, Canada / 2020
    76 min. / 5-channel video installation / Original version with English subtitles

  • Original language

    Sesotho, Zulu, Tonga (Sambia)

THE ZAMA ZAMA PROJECT is an experimental documentation of ruinous postindustrial mining life in southern Africa. It is also an act of witnessing. The men and women of the project are the forgotten, the ghosts in the machine of modern extractivism, the scavengers of its extravagant waste. They are also the authors of the stories told to Rosalind Morris, and form the core of this expressive and probing assemblage. Based on long term collaborative research, Morris’s project, branching off from her feature length-documentary, WE ARE ZAMA ZAMA, comprises six short works of various formats in which the sensuous experience of mortally dangerous labor is pursued alongside the political and economic forces that drive people to risk everything in radical speculations on life and value. From mythopoetic encounters with the underground sublime to reflections on the politics and techniques of filmmaking in tunnels and shafts many kilometers below the earth’s surface and vociferous debates on the nature of democracy after wage-labor, THE ZAMA ZAMA PROJECT is an aesthetically compelling, open-ended address from the necropolitical world.

Rosalind Morris is an anthropologist, cultural critic, and media practitioner, who is Professor of Anthropology at Columbia University. Morris has worked for more than two decades to document the transforming life-worlds around the gold mines of the Witwatersrand in South Africa. She is the author of seven books, over 70 essays, and has been honored with numerous awards. Morris has collaborated extensively with South African artists, including William Kentridge, with whom she has written three books, Clive van den Berg, and Ebrahim Hajee. She has also collaborated on two operas with the South African poet and novelist, Yvette Christiansë and Syrian-born composer, Zaid Jabri.

Production Rosalind Morris. Production company ROCAM Productions, LLC (New York, USA). Director Rosalind Morris. Cinematography Ebrahim Hajee. Editing Pascal Troemel. Sound Musa Radebe. With Rogers ,Bhekani‘ Mumpande, Prosper Ncube, Darren Munenge, Sarah Muchimba, Fanie Magwaza. 

Films

2013: Brewsie and Willie (82 Min.). 2020: The Zama Zama Project.

Bonus Material

Portrait Rosalind Morris

Rosalind Morris

“THE ZAMA ZAMA PROJECT is intended to solicit people in order that they might stop for a moment to listen to the people who inhabit this world.”

Ulrich Ziemons talks with artist Rosalind Morris (21:46 min.)

Bonus Material

  • Still from the film "The Zama Zama Project" by Rosalind Morris. A man sits in the dark with a lit headlamp.

    Background

    For more than a century, the gold mines of South Africa were the sparkling center of a nation: for some a dream destination, for others a nightmare of accident and lost life underground. Rosalind Morris on the historical background of the work.

  • Still from the film "The Zama Zama Project" by Rosalind Morris. In an underground tunnel, you can see the silhouette of a man from behind.

    Poems

    Poems by Rosalind Morris complement the documentary level of the installation with a poetic

  • Still from the film "The Zama Zama Project" by Rosalind Morris. A man sits in the dark with a lit headlamp.

    Trailer

    Based on years of collaborative research, the multi-channel video installation combines immersive cinema, narrative fragments and image traces to explore the predicament of informal migrant miners in South Africa’s abandoned gold mines.

Back to exhibition

Funded by:

  • Logo Minister of State for Culture and the Media
  • Logo des Programms NeuStart Kultur