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SIRENS CALL

Film still from SIRENS CALL by Miri Ian Gossing and Lina Sieckmann. The image shows a close-up of a blonde woman in a hospital bed. She is clutching her neck with her hand.
Filmstill from SIRENS CALL by Miri Ian Gossing und Lina Sieckmann © GossingSieckmann / filmfaust / Kochmann
  • Director

    Miri Ian Gossing, Lina Sieckmann

  • Germany, Netherlands / 2025
    121 min. / Original version

  • Original language

    English

Miri Ian Gossing and Lina Sieckmann’s feature-length debut takes a deep dive into the merfolk subculture on the trail of siren Una. Una leads a nomadic existence in the post-modern reality of a drying-out planet and the film glides along with her – through performance and genre elements, through fiction and documentary. “I’m part human, I recognize that, but I’m not full.” Una’s search for herself and kindred spirits leads her to American diners, shimmering hotel rooms and on a road trip with the young Moth. Trump’s USA looms forth from the car radio. The two of them end up with other merpeople in Portland, a group equally concerned with activism and self-care who have wrested the ancient vision of existence as hybrid beings away from the clutches of consumerist culture. In loving, cool, queer, feminist, technoid and sensual fashion, Gossing / Sieckmann show people who have chosen a life outside the demands of a standardised present. Stylistically brilliant and ingenious in how it transcends the boundaries between genres, SIRENS CALL is an experimental arena for new forms of life and being. (Fabian Tietke)

Miri Ian Gossing and Lina Sieckmann have collaborated as an artist and director duo since 2012. They have created a distinctive body of 16mm films blending documentary imagery, fiction and found footage that have garnered numerous accolades, including a German Short Film Award and the Wim Wenders Grant. Their artistic research explores themes of hauntology, traumatised landscapes and queer sensibilities. Since 2019, they have curated the Blonde Cobra – Festival for Queer and Experimental Cinema in Cologne. Gossing and Sieckmann live and work in Cologne, Germany, and Portland, Oregon, USA.

Directors Miri Ian Gossing, Lina Sieckmann. Screenplay Miri Ian Gossing, Lina Sieckmann. Cinematography Christian Kochmann. Editing Christoph Bargfrede. Music Simon Waskow. Sound Design Robert Kroos. Sound Felix Bartke. Producers Miri Ian Gossing, Lina Sieckmann, Mehmet Akif Büyükatalay, Claus Herzog-Reichel. Executive Producer Claus Herzog-Reichel. Co-Producers Nadine Bemelmans, Floor Krooi, Elbe Stevens. Production companies filmfaust (Köln, Germany), Schalten und Walten (Köln, Germany), ZDF Das kleine Fernsehspiel (aus #3286 Doppler). With Gina Rønning, Moth Rønning-Bötel, Rei Spider Barnes, Jason Bötel, Mark Ginsberg, Amethyst Twilight, Yl’luria Watersong, Thandiwe Curtis-Gibson, Fredrick H. Zal.

World sales Syndicado Film Sales

Films

Miri Ian Gossing and Lina Sieckmann: 2014: Sonntag, Büscherhöfchen 2 / Sunday, Buescherhoefchen 2 (installation, short film). 2015: Desert Miracles (short film). 2016: Ocean Hill Drive (short film). 2017: One Hour Real (short film). 2019: Souvenir (short film). 2025: SIRENS CALL.

Funded by:

  • Logo Minister of State for Culture and the Media
  • Logo des Programms NeuStart Kultur