Ein besonderes Kapitel des Vietnam-Kriegs
rekonstruiert dieser Film: die aktive Mitwirkung von Frauen. Berühmt
wurden die Zehn Mädchen von Dong Loc. Sie waren Mitglieder einer
Jugendsturmeinheit, eines Kamikaze-Teams, das dafür verantwortlich
war, nicht explodierte Bomben von US-amerikanischen Flugzeugen detonieren
zu lassen. Regisseur Luu Trong Ninh schildert diese lebensgefährliche
Tätigkeit aus ihrem Alltag heraus, zeigt, wie sie miteinander
streiten, offen für einen gutaussehenden Kommandanten schwärmen
oder ein Fahrrad entwenden, um in den Feldern herumzuradeln.
Sam Ho
Nga Ba Dong Loc ist ein ans Operettenhafte grenzendes Werk,
das den Soldatinnen jener legendären Kreuzung ein filmisches
Denkmal setzt. Die militärischen Glanzleistungen der jungen Frauen
stehen in einem seltsamen Kontrast zu ihrem girliehaften Verhalten.
Gewiß, es ist ein propagandistischer Film, und er hat als solcher
besonders für ein westliches Publikum eine eigentümlich
faszinierende Wirkung.
Dorothee Wenner |
The Vietnam War is supposed to be the first
media war in history, but the most the media could tell was only half
of the story. In contemporary news coverage, the war was fought by
clueless GIs and tuned-in drop-outs. (...) TEN GIRLS OF DONG
LOC represents a small effort to tell the other half of the Vietnam
story. The women of the title are members of the Assault Youth Unit,
a kamikaze team responsible for discharging unexploded bombs dropped
by American airplanes. Their adventure is based on a true story and,
according to a title at the end of the film, the real Girls
of Dong Loc were killed in action.
But the film is not an attempt to right the wrong of their deaths
or to rewrite their story so they get to undo their demise. (...)
The film concerns itself with the womens everyday routines as
they perform the most extraordinary of duties. Always giggling, the
assault youths go about their lives like they are in summer camp.
They bond and fight with each other, openly flaunt their crushes on
a handsome commander and steal a bicycle to frolic in the fields.
(...) They also take math classes to prepare themselves for the peace
to come. Meanwhile, the only math they know is the kind that goes:
22 bombs need to be cleared before 6 a.m.
The courage and determination they show in doing their job in the
few bomb-discharging scenes are gently inspiring and genuinely touching.
When a series of bombs go off in a chain explosion, the way the dazed
women emerge from the dusty aftermath and feel each others presence
is one of the most powerful expressions of humanity in a combat situation.
This is the kind of movie Sam Fuller would have made if he were a
woman and Vietnamese.
Sam Ho, in: Catalogue of the International Film Festival Hong Kong,
1998 |