(How I Learned to Overcome My Fear And Love Arik Sharon) Israel 1997 Dir: Avi Mograbi |
61 min., Video, Color
Produktion: Avi Mograbi; The New Israel Foundation for Cinema and Television. Buch, Schnitt: Avi Mograbi. Kamera: Ron Katzenelson, Yoav Gurfinkel, Ran Carmeli, Ronen Schechner. Uraufführung: 17.2.1997, Internationales Forum des Jungen Films. Weltvertrieb: Transfax Film Productions, 7 Aharonson Street, 68012 Tel Aviv, Israel. Tel.: (972-3) 516 2746. Fax: (972-3) 516 2744. |
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Mon 17.02. 17:30 Arsenal |
Having refused, for moral and political reasons, to serve in the '82 Lebanon war, initiated by minister of defense Arik Sharon, Mograbi has a ,personal' attitude towards him. In the making of the film, he comes to see Sharon in a different light than expected. To his surprise he finds Sharon extremely likeable. In the course of the campaign chase Mograbi sets aside his leftist political beliefs, gets surprisingly close to Sharon, only to find himself, at the end, in a bizarre scene, dancing in a right wing rally with orthodox reliieous jews and singing in support of Netanyahu.
Mograbi's wife Tammi is always there to support him in the beginning, warn him along the way when things go in undesirable directions and eventually leave him when he thinks he has lost his political and moral senses.
In this fictitious-documentary Mograbi tells the story of the making of the film about Arik Sharon, threaded with his dreams about Sharon and dialogues with his wife. But the true story told is of the impossible close encounter between left and right in present-day Israel.
Avi Mograbiwas born in Israel in 1956. Between 1979 and 1982 he studied Philosophy at the Tel Aviv University and Art at the Ramat Hasharon Art School. Since 1982 Avi Mograbi has been working as first assistant director in local and foreign feature films and commercials.
1989: Deportation. 1993: A tale that starts with a snake‘s funeral (script). 1994: The reconstruction. 1997: HOW I LEARNED TO OVERCOME MY FEAR AND LOVE ARIK SHARON.
© 1997 by International Forum of New Cinema. All rights reserved. |