The selection for the 28th International
Forum of New Cinema is well under way. The forthcoming Forum programme,
with films from all continents, looks set to take up key issues of the
current global changes in a rich and exciting variety of forms.
The major emphasis of many of the films
already selected demonstrates concern with history, politics and the challenges
of the future.
In his latest film THE BIG ONE,
the American Michael Moore, whose political satire Roger and Me
caused a sensation at the 1990 Forum, embarks on a tour d'horizon through
the desolation wrought by liberal economic policies in the country. A born
stand-up comedian, Moore always discovers the grotesque within the bitter
reality and takes up arms against managerial culture with unshakable optimism.
US avant-garde director Lynn Hershman's
feature CONCEIVING ADA is both a historical appreciation and a slice
of pie in the sky: a cyberspace artist achieves virtual contact with the
past. In this fascinating film and video experiment, British actress Tilda
Swinton plays Countess Ada Byron, who in the year 1843 devised what is
now recognised as the first computer programme in history.
At the heart of the Forum programme is
Ron Havilio's FRAGMENTS * JERUSALEM / SHIVREI T MUNOT YERUSHALAIM.
Six hours long, with seven chapters, it took more than ten years to make
and includes an unparalleled abundance of historical visual material. The
history of the city of Jerusalem and the director's family story with all
its changes are linked to create an outstanding essay on the driving forces
of civilisation.
The Forum will be screening the world premiere
of Rudolf Thome's TIGERSTREIFENBABY WARTET AUF TARZAN (TIGER-STRIPE
WOMAN WAITS FOR TARZAN). In many ways a utopian film, it shows how
a strange visitor from the future inspires a handful of earth inhabitants
to search for personal happiness.
From the very beginning, the Forum has
shown particular interest in young Japanese cinema. Director Masashi Yamamoto
was already a Forum guest eleven years ago with his film Robinson's
Garden. Yamamoto's latest film JUNK FOOD is an eccentric panorama
of outsiders and stray people in night-time Tokyo. Sketched in sharp contours,
the film shows the explosive atmosphere in a society between the extremes
of globalisation and tradition.
The Dutch director Johan van der Keuken
is once again a Forum guest this time. Following his four-hour long Amsterdam
Global Village, TO SANG FOTOSTUDIO also offers a sensitive picture
of the multicultural city. This half-hour short will be complemented by
Ramon Gieling's LEVEN MIT JE OGEN (LIVING WITH YOUR EYES), an extremely
insightful portrait of the filmmaker van der Keuken and his work, which
transgresses cultural and national barriers just as easily and naturally
as the border between documentary and feature film.
December 22, 1997 |