In 1999 the International
Forum of New Cinema is showing six world premieres of German feature and
documentary films. The selected films prove that German cinema continues
to produce experimental, committed and personal films, which move beyond
comedies and market-oriented mass production.
In his third feature film
DEALER, part two of a trilogy, Thomas Arslan, a Berlin filmmaker,
portrays the life of a young Turk incapable of quitting the drug scene
in Berlin-Schöneberg and finding personal happiness. At times, the
film's coherence and impressive formal rigour is reminiscent of Robert
Bresson's work.
Berlin is also the focus of
KILLER.BERLIN.DOC, an experimental feature film by Bettina Ellerkamp
and Jörg Heitmann. Here, young citizens of the future capital engage
in a mysterious 'game of murder' to counteract the effects of deadly boredom
and the treadmill of everyday life.
Filmmaker Didi Danquart has
made a film based on the play VIEHJUD LEVI by Thomas Strittmatter.
The allegorical description of emerging national socialism in a Black Forest
village, where ignorance, opportunism and cowardice drive out the previously
popular cattle dealer Levi, features excellent actors such as Martina Gedeck,
Ulrich Noethen and Eva Mattes.
The most recent film of renowned
documentary filmmaker Volker Koepp, HERR ZWILLING UND FRAU ZUCKERMANN
(Mr. Zwilling And Mrs. Zuckermann) is set in Galicia, in the city of Czernowitz
in today's Ukraine, the centre of Jewish life before the Holocaust. The
two and a half hour long documentary investigates the remnants of Jewish
culture, explores its future while portraying people who have resisted
persecution and preserved their unique characters.
SZENEN AUS DEM ABENDLAND
(Scenes From The Occident) is Viola Stephan's portrait of her female friends,
who are predominantly 'successful, independent and beautiful', pursuing
their professional careers, sacrificing themselves for their children,
enjoying personal luxuries and fighting against boredom. The film reflects,
the filmmakers says, "the colorful result of thirty years of sexual and
social emancipation, self-realization, autonomy and professionalism."
By now, Barbara und Winfried
Junge have observed the 'Children of Golzow' for 37 years, having continued
to do so after the end of DEFA. BRIGITTE UND MARCEL - GOLZOWER LEBENSWEGE
(Brigitte And Marcel - Journey Through Life In Golzow) is one of the saddest,
but perhaps also most moving chapters in this chronicle. Brigitte, the
'funny fatty with blond braids' died in 1984 at age 29 due to heart failure.
The film also documents the passage into adulthood of her son Marcel who
grew up under socialism and who, as a recruit, swore the oath on the Federal
Republic of Germany.
January 8th, 1999
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