This year the Forum chose
to highlight the New Moroccan Cinema. Amongst all the countries of North
Africa, Morocco presently has the most active film industry with the most
diverse film production. One of its characteristics is that popular genres
are used to describe current social problems.
MEKTOUB by Nabil Ayouch
is a modern thriller and describes the wide gap between the poor and the
rich. Soon after a young ophtalmologist returns home after a few years
abroad, his young wife is kidnapped. Searching for the perpetrators, he
finds himself in the middle of a conflict between corrupt authorities and
poor hemp farmers who grow their crop illegally.
The melodrama FEMMES...
ET FEMMES by Saad Chraibi enjoyed great success in Moroccan cinemas.
It is about a television journalist who fights for women's rights and consequently
loses her show. The women who confided in her suffer grave consequences.
The place of women in North
African society is a frequent subject in Moroccan cinema. The only active
woman director in Morocco, Farida Benlyazid was asked to make a film about
violence against women. Her answer - as well as her refusal to portray
violence in the film - is a subtle, feminist adaptation of a traditional
fairytale, KEID ENSA (Women's Wiles). The Forum presents the film
as a world premiere.
Daoud Aoulas Syad's film ADIEU
FORAIN is a melancholy roadmovie set in the south of Morocco, a region
which has fallen into oblivion. It describes the end of traditional fairground
entertainment as well as futile dreams of escaping from the province.
Modern Morocco is featured
in the intelligent comedy LES CASABLANCAIS by Abdelkader Lagtaa.
In three interwoven stories we encounter fear felt by city-dwellers about
fundamentalism and unpredictable authorities.
To complete the programm,
the Forum also shows the stylistically brilliant, black and white cinemascope
short film LA FALAISE (The Cliff) by Faouzi Bensaidi.
The series has been prepared
in cooperation with the House of the World Cultures where the films will
be repeated after the Forum screenings.
January 21st, 1999 |